A well-worn routine follows, of unpacking and unwrapping, the cutting of stems and stripping of leaves and thorns; the buckets of cold water, the choice of light or shade or degree of warmth, to either coax petals to unfold or hold them closed.
This wedding was an abundance of soft, summer flowers in joyous shades of orange and yellow, set off by the dull red of Leonidas roses and pinpricks of white - tiny spray roses and cow parsley. Sunflowers - a favourite of the bride, spice-scented stocks, orange-red freesia and also daisies, small and simple but with a loud voice that hails summer. The finishing touches were leggy buttercups, grasses and loose-trailing wildflowers that had invaded the flowerbed in our front garden, now clambering through their cultivated companions with the same unruly irregularity.
After, though, I drove home feeling a strange kind of emptiness - my own choice, but for now, there are no more weddings in my diary. And the emptiness is actually freedom, the end of the flowers a beginning, because now I can focus full time on writing.
It's how it goes, I think. Ends-of eras are usually about beginnings - and with change inevitably comes challenge. I remind myself of this often, because I know too well, it's easier to stick with what you know. Can be much harder to take that leap of faith into the unknown, even when your heart tells you it's right.
Yesterday I got talking to a florist who is just starting out. Her shop is full of local, seasonal flowers, the kind I love most, and it's gorgeous in there - and I didn't feel a flicker. Not the smallest hint of I-wish-it-was-me-in-her-shoes (though I had to stop myself buying her delphiniums). I wish her lots of luck but I won't miss those early mornings and I'd quite like my nails to grow again. (Flowers are completely rubbish for your hands).
So now? I've been waiting for this. For as long as people want to read my books, I'll be writing.